biabh-young-ianQ: You’re saying that fascination with stories and the fascination with music is inseparable. So your pursuit of music which is outlined in this book, is that a pursuit of stories and other places?

A: I can’t separate anything, I never have been able to. It’s what is usually wrapped up as culture by better educated, more culturally aware people. They will say that conversation, music, art, creativity, reading, stories, dance, however we choose to express ourselves creatively, is culture. I never got the opportunity to see anything beyond the confines of my town where I lived until I was a young man, so for the first sixteen years of my life my culture was wrapped up in my environment and what that means. So anything that is coming to me is synthesised really. If I hear a record that is on Radio One, I don’t hear it on Radio One, I hear it in my kitchen on a wireless. And so it means something because of that.  Therefore when I hear The Kinks singing ‘Lola’, I don’t think of it as a band that is recording in London as part of a 1960s, early 1970s pop culture, I hear it as part of an everyday occurrence coming from a wireless or a record in my house. I don’t recognise the pop music industry as a separate entity to my everyday life, it’s just another part of what I’m listening to or experiencing.  To be precise when I think of ‘Lola’ it makes me recall a caravan holiday at Withernsea on the Yorkshire coast, which is a long way from ‘old Soho where they drink champagne and it tastes just like cherry cola.’

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